Echoneo [0,20] Prompt: Prehistoric Art in Dadaism Style

{
  "$schema": "https://goker.art/schemas/echoneo-prompt.schema.json",
  "$id": "https://goker.art/schemas/echoneo-prompt.schema.json/instances/prehistoric-art-dadaism-01",
  "$type": "echoneo-artwork-prompt/v1",
  "artworkTitle": "Prehistoric Art depicted in Dadaism Style",
  "conceptDefinition": {
    "origin": "Prehistoric Art",
    "coreThemes": [
      "Survival",
      "The Hunt",
      "Ritual",
      "Human relationship with large fauna",
      "Primal energy"
    ],
    "keySubjects": [
      "Simplified human figures (hunters)",
      "Large animals (e.g., bison, aurochs, deer)",
      "Spears or primitive hunting tools",
      "Cave walls or rocky landscape elements (as subject matter)"
    ],
    "narrativeFocus": "Depict a group of simplified, active human figures engaged in hunting a large bison or similar prehistoric animal. Focus on the action and relationship between hunters and prey.",
    "desiredEmotion": "A mix of ritualistic reverence, primal tension, and the importance of the hunt for survival.",
    "symbolismHints": [
      "Emphasize the size and power of the animal",
      "Show coordination among hunters",
      "Use repetitive patterns if suggesting ritual"
    ],
    "references": [
      "Cave paintings of Lascaux",
      "Altamira cave art depictions of bison"
    ]
  },
  "styleDefinition": {
    "origin": "Dadaism (Zurich, Berlin, Paris, New York, etc., c. 1916 - mid-1920s AD)",
    "visualCharacteristics": [
      "Anti-art movement rejecting traditional aesthetics, logic, and societal norms",
      "Characterized by absurdity, irrationality, chance, irony, humor, and protest",
      "Embraces nonsense and seeks to provoke or shock",
      "Diverse visual manifestations rather than a single unified style",
      "Incorporation of found objects ('readymades') and materials",
      "Use of fragmentation, juxtaposition of unrelated elements",
      "Often incorporates text, typography, and mechanically reproduced images (photomontage)"
    ],
    "techniques": [
      "Collage and Photomontage simulation (juxtaposing found images/text)",
      "Assemblage simulation (3D composition of found objects)",
      "Simulation of 'Readymades' (presenting manufactured objects as art)",
      "Use of chance operations in composition",
      "Typography experiments",
      "Techniques like Frottage or Grattage (Max Ernst)",
      "Often intentionally deskilled or anti-aesthetic execution"
    ],
    "mediumSimulation": "Mixed media collage / Photomontage simulation (or Assemblage simulation)",
    "colorPalette": {
      "description": "No characteristic palette; highly variable. Often derived from the colors of found materials like newspapers, photographs (black, white, sepia), labels, and advertisements. Color choices may be random, deliberately clashing, or dictated by the source material, generally rejecting traditional harmony.",
      "keyColors": [
        "Black",
        "White",
        "Sepia",
        "Grays",
        "(Colors from printed materials)",
        "(Potentially random paint application)"
      ]
    },
    "textureEmphasis": "Emphasis on the actual textures of assembled found materials: paper, newsprint, photographs, fabric, wood, metal scraps. Juxtaposition of varied textures is key. Surface is often layered, fragmented, and uneven.",
    "compositionStyle": "Often intentionally chaotic, fragmented, nonsensical, or random compositions determined by chance. Rejects traditional notions of balance, harmony, perspective, and focal points. Relies on jarring juxtapositions and the disruption of conventional order.",
    "references": [
      "Marcel Duchamp ('Fountain', 'Bicycle Wheel', 'L.H.O.O.Q.')",
      "Hannah Höch ('Cut with the Kitchen Knife Dada Through the Last Weimar Beer Belly Cultural Epoch of Germany')",
      "Raoul Hausmann ('The Spirit of Our Time')",
      "Kurt Schwitters ('Merz' collages and assemblages)",
      "Man Ray (Photographs, objects like 'Gift')",
      "Jean Arp ('Collage Arranged According to the Laws of Chance')"
    ]
  },
  "sceneContext": {
    "lightingStyle": "Flat, even, bright lighting with no discernible source or shadows, typical of Egyptian art.",
    "cameraView": "Strict profile or composite view, straight-on perspective, avoiding complex angles.",
    "settingSuggestion": "A stylized representation of a cave interior or outdoor landscape, framed perhaps with simple geometric Egyptian borders or patterns."
  },
  "aiDirectives": {
    "width": 1536,
    "height": 1024,
    "aspectRatio": "4:3",
    "emphasize": [
      "Composite view of figures",
      "Strong outlines",
      "Flat color application",
      "Hierarchical scale (if applicable)",
      "Formal arrangement of figures"
    ],
    "avoid": [
      "Realistic perspective",
      "Atmospheric depth",
      "Shading and blending of colors",
      "Dynamic, fluid poses (use stiff Egyptian poses)",
      "Realistic anatomy",
      "Visible brushstrokes",
      "1:1 aspect ratio"
    ],
    "styleStrength": 0.85,
    "negativePromptHints": [
      "photorealistic",
      "3D render",
      "depth",
      "perspective",
      "shadows",
      "impressionistic",
      "sketchy"
    ]
  }
}