2. Echoneo
  3. Artwork [0,25]

  4. Prompt

Echoneo [0,25] Prompt: Prehistoric Art in Conceptual Art Style

This page reveals the detailed JSON prompt used to generate the Echoneo artwork Echoneo [0,25]. Serving as the precise blueprint for our AI collaborator, this prompt fuses the core concepts of Prehistoric Art with the distinct visual style of Conceptual Art. Explore the structured parameters below to understand the specific instructions behind this unique creative echo.

Artwork cover image for Echoneo [0,25]: Echoneo-0-25: Prehistoric Art depicted in Conceptual Art Style
Full Prompt JSON
{
  "$schema": "https://goker.art/schemas/echoneo-prompt.schema.json",
  "$id": "https://goker.art/schemas/echoneo-prompt.schema.json/instances/prehistoric-art-conceptual-art-01",
  "$type": "echoneo-artwork-prompt/v1",
  "artworkTitle": "Prehistoric Art depicted in Conceptual Art Style",
  "conceptDefinition": {
    "origin": "Prehistoric Art",
    "coreThemes": [
      "Survival",
      "The Hunt",
      "Ritual",
      "Human relationship with large fauna",
      "Primal energy"
    ],
    "keySubjects": [
      "Simplified human figures (hunters)",
      "Large animals (e.g., bison, aurochs, deer)",
      "Spears or primitive hunting tools",
      "Cave walls or rocky landscape elements (as subject matter)"
    ],
    "narrativeFocus": "Depict a group of simplified, active human figures engaged in hunting a large bison or similar prehistoric animal. Focus on the action and relationship between hunters and prey.",
    "desiredEmotion": "A mix of ritualistic reverence, primal tension, and the importance of the hunt for survival.",
    "symbolismHints": [
      "Emphasize the size and power of the animal",
      "Show coordination among hunters",
      "Use repetitive patterns if suggesting ritual"
    ],
    "references": [
      "Cave paintings of Lascaux",
      "Altamira cave art depictions of bison"
    ]
  },
  "styleDefinition": {
    "origin": "Conceptual Art (International, c. mid-1960s - mid-1970s AD, ongoing influence)",
    "visualCharacteristics": [
      "Primacy of the idea or concept over traditional aesthetic and material concerns",
      "Visual form is secondary and determined by the concept; often appears dematerialized or minimal",
      "Can manifest as text (instructions, definitions, statements), photography (documentation), maps, diagrams, found objects, performance documentation, or installations",
      "Rejection of traditional notions of skill, beauty, and the art object itself",
      "Often analytical, informational, or seemingly mundane in appearance",
      "Focus on intellectual process, systems, language, and information"
    ],
    "techniques": [
      "Simulation of text-based art (typed/printed statements, definitions)",
      "Simulation of documentary photography (often black and white, straightforward)",
      "Simulation of diagrams, charts, or maps",
      "Use of language and systems as the primary medium",
      "Documentation of actions or processes",
      "Execution often follows predefined instructions or systems"
    ],
    "mediumSimulation": "Documentation style simulation (e.g., typed text on paper, black and white photograph, map, diagram)",
    "colorPalette": {
      "description": "Generally neutral, functional, or dictated by the chosen medium (e.g., black text on white paper, monochrome photography). Color is typically not used for expressive or traditional aesthetic purposes, prioritizing informational clarity or conceptual austerity.",
      "keyColors": [
        "Black",
        "White",
        "Gray",
        "(Colors inherent to documentary sources like maps or diagrams)"
      ]
    },
    "textureEmphasis": "Typically minimal or functional textures associated with the medium (smoothness of paper, photographic print). Avoids expressive or aesthetically emphasized textures; focus is on the information or concept.",
    "compositionStyle": "Composition is entirely dictated by the underlying concept or the format of the information being presented (e.g., list, grid, instructions, map layout, documentary photograph framing). Rejects traditional aesthetic compositional principles in favor of conceptual clarity or systematic presentation.",
    "references": [
      "Joseph Kosuth ('One and Three Chairs')",
      "Sol LeWitt (Wall drawings, 'Paragraphs on Conceptual Art')",
      "Lawrence Weiner (Language-based works)",
      "On Kawara (Date paintings)",
      "Art & Language collective",
      "John Baldessari (Text and photo works)",
      "Hanne Darboven (System-based works)"
    ]
  },
  "sceneContext": {
    "lightingStyle": "Flat, even, bright lighting with no discernible source or shadows, typical of Egyptian art.",
    "cameraView": "Strict profile or composite view, straight-on perspective, avoiding complex angles.",
    "settingSuggestion": "A stylized representation of a cave interior or outdoor landscape, framed perhaps with simple geometric Egyptian borders or patterns."
  },
  "aiDirectives": {
    "width": 1536,
    "height": 1024,
    "aspectRatio": "4:3",
    "emphasize": [
      "Composite view of figures",
      "Strong outlines",
      "Flat color application",
      "Hierarchical scale (if applicable)",
      "Formal arrangement of figures"
    ],
    "avoid": [
      "Realistic perspective",
      "Atmospheric depth",
      "Shading and blending of colors",
      "Dynamic, fluid poses (use stiff Egyptian poses)",
      "Realistic anatomy",
      "Visible brushstrokes",
      "1:1 aspect ratio"
    ],
    "styleStrength": 0.85,
    "negativePromptHints": [
      "photorealistic",
      "3D render",
      "depth",
      "perspective",
      "shadows",
      "impressionistic",
      "sketchy"
    ]
  }
}
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