Echoneo [0,26] Prompt: Prehistoric Art in Postmodernism Style

{
  "$schema": "https://goker.art/schemas/echoneo-prompt.schema.json",
  "$id": "https://goker.art/schemas/echoneo-prompt.schema.json/instances/prehistoric-art-postmodernism-01",
  "$type": "echoneo-artwork-prompt/v1",
  "artworkTitle": "Prehistoric Art depicted in Postmodernism Style",
  "conceptDefinition": {
    "origin": "Prehistoric Art",
    "coreThemes": [
      "Survival",
      "The Hunt",
      "Ritual",
      "Human relationship with large fauna",
      "Primal energy"
    ],
    "keySubjects": [
      "Simplified human figures (hunters)",
      "Large animals (e.g., bison, aurochs, deer)",
      "Spears or primitive hunting tools",
      "Cave walls or rocky landscape elements (as subject matter)"
    ],
    "narrativeFocus": "Depict a group of simplified, active human figures engaged in hunting a large bison or similar prehistoric animal. Focus on the action and relationship between hunters and prey.",
    "desiredEmotion": "A mix of ritualistic reverence, primal tension, and the importance of the hunt for survival.",
    "symbolismHints": [
      "Emphasize the size and power of the animal",
      "Show coordination among hunters",
      "Use repetitive patterns if suggesting ritual"
    ],
    "references": [
      "Cave paintings of Lascaux",
      "Altamira cave art depictions of bison"
    ]
  },
  "styleDefinition": {
    "origin": "Postmodernism (International, emerging c. late 1960s/1970s - late 20th Century AD, ongoing influence)",
    "visualCharacteristics": [
      "Reaction against Modernist principles (e.g., universalism, originality, purity of form)",
      "Characterized by skepticism, irony, and eclecticism; no single unified style",
      "Embraces complexity, contradiction, ambiguity, and humor",
      "Frequent use of appropriation (borrowing existing images/styles), pastiche (imitating styles), and parody",
      "Mixing of 'high' and 'low' culture, historical references, and diverse styles without hierarchy",
      "Deconstruction of established norms and meanings",
      "Emphasis on surface, signs, simulation, and the constructed nature of reality",
      "Return of representation and figuration, often used ironically or critically",
      "Focus on identity politics (gender, race, sexuality, etc.)"
    ],
    "techniques": [
      "Highly diverse and interdisciplinary techniques:",
      "Appropriation and recontextualization of existing imagery/objects",
      "Pastiche (stylistic imitation)",
      "Collage, Montage, Assemblage",
      "Painting (often figurative, eclectic, or expressive - e.g., Neo-Expressionism)",
      "Photography (often staged, conceptual, or appropriated)",
      "Installation Art, Performance Art, Video Art",
      "Use of text and language, often critically"
    ],
    "mediumSimulation": "Highly variable simulation depending on approach (e.g., Appropriative Painting, Staged Photography, Neo-Expressionist Painting, Mixed Media Collage)",
    "colorPalette": {
      "description": "Extremely diverse; no characteristic palette. Colors may be appropriated, ironic, kitschy, commercial, historically referential, or expressive depending on the specific strategy. Traditional color harmony is often disregarded or subverted.",
      "keyColors": [
        "(Highly Variable - depends on source/strategy)"
      ]
    },
    "textureEmphasis": "Highly variable. Can range from slick, commercial, or photographic smoothness to rough, expressive textures (e.g., Neo-Expressionism), or the inherent textures of appropriated materials and images. Texture is often a self-conscious choice.",
    "compositionStyle": "Extremely diverse, often rejecting Modernist unity or formal purity. Employs fragmentation, juxtaposition, layering, appropriation of existing compositions, pastiche, or deliberately awkward/unbalanced arrangements. Often challenges traditional notions of originality and coherence.",
    "references": [
      "(Diverse artists employing Postmodern strategies):",
      "Cindy Sherman (Conceptual portraits/photography)",
      "Jeff Koons (Kitsch sculpture, appropriation)",
      "Barbara Kruger (Text and image works)",
      "Sherrie Levine (Appropriation art)",
      "David Salle (Layered/pastiche paintings)",
      "Jean-Michel Basquiat (Neo-Expressionism)",
      "Anselm Kiefer (Neo-Expressionism, history themes)",
      "Jenny Holzer (Text-based art)"
    ]
  },
  "sceneContext": {
    "lightingStyle": "Flat, even, bright lighting with no discernible source or shadows, typical of Egyptian art.",
    "cameraView": "Strict profile or composite view, straight-on perspective, avoiding complex angles.",
    "settingSuggestion": "A stylized representation of a cave interior or outdoor landscape, framed perhaps with simple geometric Egyptian borders or patterns."
  },
  "aiDirectives": {
    "width": 1536,
    "height": 1024,
    "aspectRatio": "4:3",
    "emphasize": [
      "Composite view of figures",
      "Strong outlines",
      "Flat color application",
      "Hierarchical scale (if applicable)",
      "Formal arrangement of figures"
    ],
    "avoid": [
      "Realistic perspective",
      "Atmospheric depth",
      "Shading and blending of colors",
      "Dynamic, fluid poses (use stiff Egyptian poses)",
      "Realistic anatomy",
      "Visible brushstrokes",
      "1:1 aspect ratio"
    ],
    "styleStrength": 0.85,
    "negativePromptHints": [
      "photorealistic",
      "3D render",
      "depth",
      "perspective",
      "shadows",
      "impressionistic",
      "sketchy"
    ]
  }
}