Echoneo [12,0] Prompt: Romanticism in Prehistoric Art Style

{
  "$schema": "https://goker.art/schemas/echoneo-prompt.schema.json",
  "$id": "https://goker.art/schemas/echoneo-prompt.schema.json/instances/romanticism-prehistoric-art-01",
  "$type": "echoneo-artwork-prompt/v1",
  "artworkTitle": "Romanticism depicted in Prehistoric Art Style",
  "conceptDefinition": {
    "origin": "Romanticism",
    "coreThemes": [
      "Strong Emotion (Awe, Terror, Passion, Longing)",
      "Power of Nature (Sublime, Wild)",
      "Individualism (Solitary figure)",
      "Imagination / Mystery",
      "Drama",
      "Transcendence (through nature/emotion)"
    ],
    "keySubjects": [
      "Solitary human figure (small scale)",
      "Vast natural elements (mountains, storms, sea - simplified shapes)",
      "Powerful animal shapes",
      "Ruin shapes (simple jagged forms)",
      "Figures in emotional poses (reaching, despairing, contemplative)",
      "Dynamic natural forces (swirling lines, jagged lines)"
    ],
    "narrativeFocus": "Depict a small, schematic human figure confronted by large, dynamic shapes representing powerful nature (mountains, storm clouds, large beasts), rendered with energetic outlines on a rock surface in a cave-art style. Alternatively, show a solitary figure in a strong pose suggesting intense emotion (longing, despair, awe). Focus on conveying drama and subjective feeling.",
    "desiredEmotion": "Awe, Primal Drama, Intensity, Power of Nature, Strong Emotion",
    "symbolismHints": [
      "Use scale difference to emphasize human smallness against large forces",
      "Employ dynamic, swirling, or jagged lines",
      "Focus on solitary figures or figures battling elements",
      "Use strong, expressive (if simple) poses"
    ],
    "references": [
      "Caspar David Friedrich's 'Wanderer above the Sea of Fog' (concept of figure vs. nature)",
      "J.M.W. Turner's storm paintings (concept of nature's power)",
      "Géricault's 'Raft of the Medusa' (concept of struggle, despair)"
    ]
  },
  "sceneContext": {
    "lightingStyle": "Flat, indeterminate lighting, as appropriate for the intended Prehistoric style.",
    "cameraView": "Direct views emphasizing scale differences or emotional poses, mimicking the flatness of cave paintings.",
    "settingSuggestion": "A rough, textured surface simulating a natural cave wall, potentially with bold lines indicating landscape or atmospheric elements, reflecting the intended Prehistoric style."
  },
  "aiDirectives": {
    "width": 1536,
    "height": 1024,
    "aspectRatio": "4:3",
    "emphasize": [
      "Composite view of figures",
      "Strong outlines",
      "Flat color application",
      "Hierarchical scale (if applicable)",
      "Formal arrangement of figures"
    ],
    "avoid": [
      "Realistic perspective",
      "Atmospheric depth",
      "Shading and blending of colors",
      "Dynamic, fluid poses (use stiff Egyptian poses)",
      "Realistic anatomy",
      "Visible brushstrokes",
      "1:1 aspect ratio"
    ],
    "styleStrength": 0.85,
    "negativePromptHints": [
      "photorealistic",
      "3D render",
      "depth",
      "perspective",
      "shadows",
      "impressionistic",
      "sketchy"
    ]
  },
  "styleDefinition": {
    "origin": "Prehistoric Art (Global, primarily Upper Paleolithic cave art, c. 40,000 - 10,000 BCE)",
    "visualCharacteristics": [
      "Focus on animal figures (bison, horses, deer, mammoths), often depicted with surprising naturalism and vitality",
      "Human figures less common and typically abstract, schematic, or stick-like (distinct from more detailed animal portrayals)",
      "Use of strong contour lines to define forms",
      "Handprints (positive prints or negative stencils) and geometric signs (dots, lines, symbols)",
      "Frequent overlapping of figures, suggesting different time periods or lack of unified composition",
      "Occasional use of natural rock formations integrated into the shape of the animal",
      "General absence of backgrounds, ground lines, or consistent perspective"
    ],
    "techniques": [
      "Simulation of painting/drawing on cave walls",
      "Using natural earth pigments (ochres, charcoal, manganese) possibly mixed with binders",
      "Application by blowing pigment, dabbing, drawing with pigment chunks/charcoal",
      "Simulation of engraving or incising lines into rock surface"
    ],
    "mediumSimulation": "Cave wall painting simulation (using natural pigments and charcoal on rock surface)",
    "colorPalette": {
      "description": "Limited palette derived from natural mineral pigments: earth ochres, charcoal, and manganese dioxide. Colors typically applied flatly or with rudimentary shading.",
      "keyColors": [
        "Red Ochre",
        "Yellow Ochre",
        "Brown Ochre",
        "Carbon Black / Manganese Black",
        "White (Chalk/Kaolin - less common)"
      ]
    },
    "textureEmphasis": "Rough, uneven texture inherent to the natural cave wall surface, often incorporated into the artwork. The paint/pigment itself may appear powdery or stained into the rock.",
    "compositionStyle": "Figures often appear scattered, superimposed, or isolated across the cave surface without a clear compositional structure, ground line, or consistent scale. Arrangement seems opportunistic, utilizing wall contours rather than creating a unified scene.",
    "references": [
      "Lascaux Cave paintings (France)",
      "Chauvet Cave paintings (France)",
      "Altamira Cave paintings (Spain)",
      "Hand stencils from El Castillo Cave (Spain)",
      "Cosquer Cave (France)"
    ]
  }
}