1. Echoneo
  2. Artwork [13,0]
  3. Prompt

Echoneo [13,0] Prompt: Realism in Prehistoric Art Style

This page reveals the detailed JSON prompt used to generate the Echoneo artwork Echoneo [13,0]. Serving as the precise blueprint for our AI collaborator, this prompt fuses the core concepts of Realism with the distinct visual style of Prehistoric Art. Explore the structured parameters below to understand the specific instructions behind this unique creative echo.

Artwork cover image for Echoneo [13,0]: Echoneo-13-0: Realism Art depicted in Prehistoric Art Style
Full Prompt JSON
{
"$schema": "https://goker.art/schemas/echoneo-prompt.schema.json",
"$id": "https://goker.art/schemas/echoneo-prompt.schema.json/instances/realism-prehistoric-art-01",
"$type": "echoneo-artwork-prompt/v1",
"artworkTitle": "Realism depicted in Prehistoric Art Style",
"conceptDefinition": {
"origin": "Realism",
"coreThemes": [
"Everyday Life",
"Labor",
"Objectivity",
"Contemporary Reality (mundane)",
"Social Observation (simplified)",
"Anti-Idealization"
],
"keySubjects": [
"Working figures (farmers, laborers - schematic)",
"Ordinary people in groups",
"Simple tools (shovel, pickaxe - basic shapes)",
"Scenes of physical work (digging, carrying, gathering)",
"Basic landscape elements (ground, simple trees)",
"Unaltered human forms (not heroic or elegant)"
],
"narrativeFocus": "Depict schematic human figures engaged in common, everyday labor such as digging, carrying loads, or gathering, rendered with strong, unadorned outlines on a rock surface in a cave-art style. Focus on the objective portrayal of mundane activities and ordinary figures.",
"desiredEmotion": "Objectivity, Everydayness, Solidity, Unsentimental Presence",
"symbolismHints": [
"Clearly show the physical action of labor",
"Depict figures with simple, sturdy lines suggesting groundedness",
"Avoid heroic, dramatic, or overly expressive poses",
"Present groups or individuals matter-of-factly"
],
"references": [
"Courbet's 'The Stone Breakers' (concept of manual labor)",
"Millet's 'The Gleaners' (concept of rural labor)",
"Daumier's 'Third-Class Carriage' (concept of observing ordinary people)"
]
},
"sceneContext": {
"lightingStyle": "Flat, indeterminate lighting, as appropriate for the intended Prehistoric style.",
"cameraView": "Direct, straightforward observational views of the figures and their actions, mimicking the flatness of cave paintings.",
"settingSuggestion": "A rough, textured surface simulating a natural cave wall, reflecting the intended Prehistoric style, possibly with a strong horizontal ground line."
},
"aiDirectives": {
"width": 1536,
"height": 1024,
"aspectRatio": "4:3",
"emphasize": [
"Composite view of figures",
"Strong outlines",
"Flat color application",
"Hierarchical scale (if applicable)",
"Formal arrangement of figures"
],
"avoid": [
"Realistic perspective",
"Atmospheric depth",
"Shading and blending of colors",
"Dynamic, fluid poses (use stiff Egyptian poses)",
"Realistic anatomy",
"Visible brushstrokes",
"1:1 aspect ratio"
],
"styleStrength": 0.85,
"negativePromptHints": [
"photorealistic",
"3D render",
"depth",
"perspective",
"shadows",
"impressionistic",
"sketchy"
]
},
"styleDefinition": {
"origin": "Prehistoric Art (Global, primarily Upper Paleolithic cave art, c. 40,000 - 10,000 BCE)",
"visualCharacteristics": [
"Focus on animal figures (bison, horses, deer, mammoths), often depicted with surprising naturalism and vitality",
"Human figures less common and typically abstract, schematic, or stick-like (distinct from more detailed animal portrayals)",
"Use of strong contour lines to define forms",
"Handprints (positive prints or negative stencils) and geometric signs (dots, lines, symbols)",
"Frequent overlapping of figures, suggesting different time periods or lack of unified composition",
"Occasional use of natural rock formations integrated into the shape of the animal",
"General absence of backgrounds, ground lines, or consistent perspective"
],
"techniques": [
"Simulation of painting/drawing on cave walls",
"Using natural earth pigments (ochres, charcoal, manganese) possibly mixed with binders",
"Application by blowing pigment, dabbing, drawing with pigment chunks/charcoal",
"Simulation of engraving or incising lines into rock surface"
],
"mediumSimulation": "Cave wall painting simulation (using natural pigments and charcoal on rock surface)",
"colorPalette": {
"description": "Limited palette derived from natural mineral pigments: earth ochres, charcoal, and manganese dioxide. Colors typically applied flatly or with rudimentary shading.",
"keyColors": [
"Red Ochre",
"Yellow Ochre",
"Brown Ochre",
"Carbon Black / Manganese Black",
"White (Chalk/Kaolin - less common)"
]
},
"textureEmphasis": "Rough, uneven texture inherent to the natural cave wall surface, often incorporated into the artwork. The paint/pigment itself may appear powdery or stained into the rock.",
"compositionStyle": "Figures often appear scattered, superimposed, or isolated across the cave surface without a clear compositional structure, ground line, or consistent scale. Arrangement seems opportunistic, utilizing wall contours rather than creating a unified scene.",
"references": [
"Lascaux Cave paintings (France)",
"Chauvet Cave paintings (France)",
"Altamira Cave paintings (Spain)",
"Hand stencils from El Castillo Cave (Spain)",
"Cosquer Cave (France)"
]
}
}