Echoneo [25,0] Prompt: Conceptual Art in Prehistoric Art Style

{
  "$schema": "https://goker.art/schemas/echoneo-prompt.schema.json",
  "$id": "https://goker.art/schemas/echoneo-prompt.schema.json/instances/conceptual-art-prehistoric-art-01",
  "$type": "echoneo-artwork-prompt/v1",
  "artworkTitle": "Conceptual Art depicted in Prehistoric Art Style",
  "conceptDefinition": {
    "origin": "Conceptual Art",
    "coreThemes": [
      "Idea as Art",
      "Information / System",
      "Language (conceptual basis)",
      "Process / Instruction",
      "Dematerialization (conceptual)",
      "Anti-Aesthetic"
    ],
    "keySubjects": [
      "Patterns of simple marks (dots, lines, tallies)",
      "Basic diagrams or map-like lines",
      "Systematic arrangements of simple shapes",
      "Instructional sequences (simplified)",
      "Text concept (represented by lines/marks)",
      "Documentation concept (represented by framing/marks)"
    ],
    "narrativeFocus": "Depict an arrangement of simple, repeated marks (like dots or tally lines), basic connecting lines suggesting a map or diagram, or geometric shapes organized systematically, rendered with clear, basic outlines on a rock surface in a cave-art style. The aim is to represent an underlying idea, system, or piece of information abstractly, devoid of aesthetic goals or representation.",
    "desiredEmotion": "Analytical, Informational, Systematic, Objective, Questioning",
    "symbolismHints": [
      "Use repetition of simple marks to suggest lists, counting, or data",
      "Employ straight connecting lines to imply relationships or systems",
      "Arrange basic shapes (squares, circles) in a grid or clear sequence",
      "Maintain utmost simplicity and clarity, focusing on the structure of the marks"
    ],
    "references": [
      "Sol LeWitt's wall drawings (concept of instructions/systems generating form)",
      "Joseph Kosuth's work (concept of exploring definitions/ideas)",
      "Hanne Darboven's work (concept of systematic writing/marking)"
    ]
  },
  "sceneContext": {
    "lightingStyle": "Flat, indeterminate lighting, as appropriate for the intended Prehistoric style.",
    "cameraView": "Direct, flat view emphasizing the pattern, system, or arrangement of marks, mimicking the flatness of cave paintings.",
    "settingSuggestion": "A rough, textured surface simulating a natural cave wall, reflecting the intended Prehistoric style."
  },
  "aiDirectives": {
    "width": 1536,
    "height": 1024,
    "aspectRatio": "4:3",
    "emphasize": [
      "Composite view of figures",
      "Strong outlines",
      "Flat color application",
      "Hierarchical scale (if applicable)",
      "Formal arrangement of figures"
    ],
    "avoid": [
      "Realistic perspective",
      "Atmospheric depth",
      "Shading and blending of colors",
      "Dynamic, fluid poses (use stiff Egyptian poses)",
      "Realistic anatomy",
      "Visible brushstrokes",
      "1:1 aspect ratio"
    ],
    "styleStrength": 0.85,
    "negativePromptHints": [
      "photorealistic",
      "3D render",
      "depth",
      "perspective",
      "shadows",
      "impressionistic",
      "sketchy"
    ]
  },
  "styleDefinition": {
    "origin": "Prehistoric Art (Global, primarily Upper Paleolithic cave art, c. 40,000 - 10,000 BCE)",
    "visualCharacteristics": [
      "Focus on animal figures (bison, horses, deer, mammoths), often depicted with surprising naturalism and vitality",
      "Human figures less common and typically abstract, schematic, or stick-like (distinct from more detailed animal portrayals)",
      "Use of strong contour lines to define forms",
      "Handprints (positive prints or negative stencils) and geometric signs (dots, lines, symbols)",
      "Frequent overlapping of figures, suggesting different time periods or lack of unified composition",
      "Occasional use of natural rock formations integrated into the shape of the animal",
      "General absence of backgrounds, ground lines, or consistent perspective"
    ],
    "techniques": [
      "Simulation of painting/drawing on cave walls",
      "Using natural earth pigments (ochres, charcoal, manganese) possibly mixed with binders",
      "Application by blowing pigment, dabbing, drawing with pigment chunks/charcoal",
      "Simulation of engraving or incising lines into rock surface"
    ],
    "mediumSimulation": "Cave wall painting simulation (using natural pigments and charcoal on rock surface)",
    "colorPalette": {
      "description": "Limited palette derived from natural mineral pigments: earth ochres, charcoal, and manganese dioxide. Colors typically applied flatly or with rudimentary shading.",
      "keyColors": [
        "Red Ochre",
        "Yellow Ochre",
        "Brown Ochre",
        "Carbon Black / Manganese Black",
        "White (Chalk/Kaolin - less common)"
      ]
    },
    "textureEmphasis": "Rough, uneven texture inherent to the natural cave wall surface, often incorporated into the artwork. The paint/pigment itself may appear powdery or stained into the rock.",
    "compositionStyle": "Figures often appear scattered, superimposed, or isolated across the cave surface without a clear compositional structure, ground line, or consistent scale. Arrangement seems opportunistic, utilizing wall contours rather than creating a unified scene.",
    "references": [
      "Lascaux Cave paintings (France)",
      "Chauvet Cave paintings (France)",
      "Altamira Cave paintings (Spain)",
      "Hand stencils from El Castillo Cave (Spain)",
      "Cosquer Cave (France)"
    ]
  }
}