Echoneo [4,0] Prompt: Byzantine Art in Prehistoric Art Style

{
  "$schema": "https://goker.art/schemas/echoneo-prompt.schema.json",
  "$id": "https://goker.art/schemas/echoneo-prompt.schema.json/instances/byzantine-art-prehistoric-art-01",
  "$type": "echoneo-artwork-prompt/v1",
  "artworkTitle": "Byzantine Art depicted in Prehistoric Art Style",
  "conceptDefinition": {
    "origin": "Byzantine Art",
    "coreThemes": [
      "Spirituality",
      "Divinity",
      "Sacred Figures",
      "Worship",
      "Symbolism",
      "Hierarchy"
    ],
    "keySubjects": [
      "Central figure (Christ or Virgin Mary)",
      "Smaller figure (Christ child)",
      "Attendant figures (Angels, Saints - schematic)",
      "Cross symbol (simplified)",
      "Halo shape (simple circle)",
      "Orant figure (praying pose, simplified)",
      "Fish symbol (Ichthys - simplified)",
      "Bird shape (Dove/Holy Spirit - simplified)"
    ],
    "narrativeFocus": "Depict a central, frontal human figure representing a sacred person (like Christ or Mary), possibly holding a smaller figure, rendered with strong, simple outlines on a rock surface in a cave-art style. Add schematic flanking figures or symbols (like crosses or simplified halos) to convey religious significance.",
    "desiredEmotion": "Primal Spirituality, Awe, Reverence, Symbolic Presence",
    "symbolismHints": [
      "Emphasize the frontality and central placement of the main figure",
      "Simplify religious symbols (cross, halo) into basic geometric forms",
      "Use size difference to suggest hierarchy if multiple figures are present",
      "Define all figures with strong contour lines"
    ],
    "references": [
      "Byzantine icons (conceptual source for figure types)",
      "Early Christian catacomb paintings (conceptual source for themes/symbols)",
      "Biblical narratives"
    ]
  },
  "sceneContext": {
    "lightingStyle": "Flat, indeterminate lighting, as appropriate for the intended Prehistoric style.",
    "cameraView": "Direct, frontal view for the main figure, profile for secondary figures, mimicking the flatness and simplicity of cave paintings.",
    "settingSuggestion": "A rough, textured surface simulating a natural cave wall, reflecting the intended Prehistoric style."
  },
  "aiDirectives": {
    "width": 1536,
    "height": 1024,
    "aspectRatio": "4:3",
    "emphasize": [
      "Composite view of figures",
      "Strong outlines",
      "Flat color application",
      "Hierarchical scale (if applicable)",
      "Formal arrangement of figures"
    ],
    "avoid": [
      "Realistic perspective",
      "Atmospheric depth",
      "Shading and blending of colors",
      "Dynamic, fluid poses (use stiff Egyptian poses)",
      "Realistic anatomy",
      "Visible brushstrokes",
      "1:1 aspect ratio"
    ],
    "styleStrength": 0.85,
    "negativePromptHints": [
      "photorealistic",
      "3D render",
      "depth",
      "perspective",
      "shadows",
      "impressionistic",
      "sketchy"
    ]
  },
  "styleDefinition": {
    "origin": "Prehistoric Art (Global, primarily Upper Paleolithic cave art, c. 40,000 - 10,000 BCE)",
    "visualCharacteristics": [
      "Focus on animal figures (bison, horses, deer, mammoths), often depicted with surprising naturalism and vitality",
      "Human figures less common and typically abstract, schematic, or stick-like (distinct from more detailed animal portrayals)",
      "Use of strong contour lines to define forms",
      "Handprints (positive prints or negative stencils) and geometric signs (dots, lines, symbols)",
      "Frequent overlapping of figures, suggesting different time periods or lack of unified composition",
      "Occasional use of natural rock formations integrated into the shape of the animal",
      "General absence of backgrounds, ground lines, or consistent perspective"
    ],
    "techniques": [
      "Simulation of painting/drawing on cave walls",
      "Using natural earth pigments (ochres, charcoal, manganese) possibly mixed with binders",
      "Application by blowing pigment, dabbing, drawing with pigment chunks/charcoal",
      "Simulation of engraving or incising lines into rock surface"
    ],
    "mediumSimulation": "Cave wall painting simulation (using natural pigments and charcoal on rock surface)",
    "colorPalette": {
      "description": "Limited palette derived from natural mineral pigments: earth ochres, charcoal, and manganese dioxide. Colors typically applied flatly or with rudimentary shading.",
      "keyColors": [
        "Red Ochre",
        "Yellow Ochre",
        "Brown Ochre",
        "Carbon Black / Manganese Black",
        "White (Chalk/Kaolin - less common)"
      ]
    },
    "textureEmphasis": "Rough, uneven texture inherent to the natural cave wall surface, often incorporated into the artwork. The paint/pigment itself may appear powdery or stained into the rock.",
    "compositionStyle": "Figures often appear scattered, superimposed, or isolated across the cave surface without a clear compositional structure, ground line, or consistent scale. Arrangement seems opportunistic, utilizing wall contours rather than creating a unified scene.",
    "references": [
      "Lascaux Cave paintings (France)",
      "Chauvet Cave paintings (France)",
      "Altamira Cave paintings (Spain)",
      "Hand stencils from El Castillo Cave (Spain)",
      "Cosquer Cave (France)"
    ]
  }
}