1. Echoneo
  2. Artwork [6,0]
  3. Prompt

Echoneo [6,0] Prompt: Gothic Art in Prehistoric Art Style

This page reveals the detailed JSON prompt used to generate the Echoneo artwork Echoneo [6,0]. Serving as the precise blueprint for our AI collaborator, this prompt fuses the core concepts of Gothic Art with the distinct visual style of Prehistoric Art. Explore the structured parameters below to understand the specific instructions behind this unique creative echo.

Artwork cover image for Echoneo [6,0]: Echoneo-6-0: Gothic Art depicted in Prehistoric Art Style
Full Prompt JSON
{
"$schema": "https://goker.art/schemas/echoneo-prompt.schema.json",
"$id": "https://goker.art/schemas/echoneo-prompt.schema.json/instances/gothic-art-prehistoric-art-01",
"$type": "echoneo-artwork-prompt/v1",
"artworkTitle": "Gothic Art depicted in Prehistoric Art Style",
"conceptDefinition": {
"origin": "Gothic Art",
"coreThemes": [
"Christian Narrative",
"Spirituality",
"Divine Light (conceptual)",
"Virgin Mary Veneration",
"Saints and Martyrs",
"Grace",
"Transcendence"
],
"keySubjects": [
"Virgin Mary figure",
"Christ figure (child or adult)",
"Saint figures (with simplified attributes)",
"Angel figures (schematic wings)",
"Kneeling figures (donors or worshippers)",
"Simple architectural hints (pointed shape?)",
"Cross symbol",
"Lily shape (simplified)"
],
"narrativeFocus": "Depict simplified, perhaps slightly elongated, human figures interacting in a key Gothic scene like the Annunciation (one figure addressing another) or Madonna and Child, rendered with strong outlines on a rock surface in a cave-art style. Focus on linear grace and symbolic gestures.",
"desiredEmotion": "Primal Spirituality, Reverence, Simplified Grace, Narrative Clarity",
"symbolismHints": [
"Attempt elongated proportions within the simple style",
"Clearly render symbolic gestures (blessing, receiving)",
"Simplify attributes (keys, lily) to basic shapes",
"Arrange figures to suggest interaction or hierarchy"
],
"references": [
"Gothic sculpture (Chartres, Reims - conceptual source for figures/poses)",
"Stained glass narratives (Sainte-Chapelle - conceptual source)",
"Manuscript illuminations (Très Riches Heures - conceptual source)"
]
},
"sceneContext": {
"lightingStyle": "Flat, indeterminate lighting, as appropriate for the intended Prehistoric style.",
"cameraView": "Direct, frontal or profile views, possibly emphasizing verticality slightly, mimicking the flatness of cave paintings.",
"settingSuggestion": "A rough, textured surface simulating a natural cave wall, reflecting the intended Prehistoric style."
},
"aiDirectives": {
"width": 1536,
"height": 1024,
"aspectRatio": "4:3",
"emphasize": [
"Composite view of figures",
"Strong outlines",
"Flat color application",
"Hierarchical scale (if applicable)",
"Formal arrangement of figures"
],
"avoid": [
"Realistic perspective",
"Atmospheric depth",
"Shading and blending of colors",
"Dynamic, fluid poses (use stiff Egyptian poses)",
"Realistic anatomy",
"Visible brushstrokes",
"1:1 aspect ratio"
],
"styleStrength": 0.85,
"negativePromptHints": [
"photorealistic",
"3D render",
"depth",
"perspective",
"shadows",
"impressionistic",
"sketchy"
]
},
"styleDefinition": {
"origin": "Prehistoric Art (Global, primarily Upper Paleolithic cave art, c. 40,000 - 10,000 BCE)",
"visualCharacteristics": [
"Focus on animal figures (bison, horses, deer, mammoths), often depicted with surprising naturalism and vitality",
"Human figures less common and typically abstract, schematic, or stick-like (distinct from more detailed animal portrayals)",
"Use of strong contour lines to define forms",
"Handprints (positive prints or negative stencils) and geometric signs (dots, lines, symbols)",
"Frequent overlapping of figures, suggesting different time periods or lack of unified composition",
"Occasional use of natural rock formations integrated into the shape of the animal",
"General absence of backgrounds, ground lines, or consistent perspective"
],
"techniques": [
"Simulation of painting/drawing on cave walls",
"Using natural earth pigments (ochres, charcoal, manganese) possibly mixed with binders",
"Application by blowing pigment, dabbing, drawing with pigment chunks/charcoal",
"Simulation of engraving or incising lines into rock surface"
],
"mediumSimulation": "Cave wall painting simulation (using natural pigments and charcoal on rock surface)",
"colorPalette": {
"description": "Limited palette derived from natural mineral pigments: earth ochres, charcoal, and manganese dioxide. Colors typically applied flatly or with rudimentary shading.",
"keyColors": [
"Red Ochre",
"Yellow Ochre",
"Brown Ochre",
"Carbon Black / Manganese Black",
"White (Chalk/Kaolin - less common)"
]
},
"textureEmphasis": "Rough, uneven texture inherent to the natural cave wall surface, often incorporated into the artwork. The paint/pigment itself may appear powdery or stained into the rock.",
"compositionStyle": "Figures often appear scattered, superimposed, or isolated across the cave surface without a clear compositional structure, ground line, or consistent scale. Arrangement seems opportunistic, utilizing wall contours rather than creating a unified scene.",
"references": [
"Lascaux Cave paintings (France)",
"Chauvet Cave paintings (France)",
"Altamira Cave paintings (Spain)",
"Hand stencils from El Castillo Cave (Spain)",
"Cosquer Cave (France)"
]
}
}